i interview you, then carve what’s true into gold

One method, two worlds.

at the bench

te. ciento — custom fine jewelry, carved from an interview and made in Paris. By appointment, eight a season.

COMMISSION

in the field

Photojournalism for National Geographic, The New York Times, The New Yorker and The Washington Post.

REPORTAGE

HOW A COMMISSION WORKS

We begin with an interview — an hour, sometimes three. I listen for the moment your life turned, then draw the symbol underneath it and carve it in wax. It’s cast in gold in Paris, and it arrives
with a certificate and its own code, because only one exists.

the matriarch ring

Built around an inherited diamond, for the woman who was handed it.

RECENT COMMISSIONS

Every piece began
as someone’s story.

cristina@teciento.com

the matriarch ring

Built around an inherited diamond, for the woman who was handed it.

Tell me your story.

Begin a commission

cristina@teciento.com

the matriarch ring

Built around an inherited diamond, for the woman who was handed it.

REPORTAGE

I am a documentary photographer and writer who believes in the power of storytelling to transform inner lives. Drawing from her Haitian, Salvadoran, French, and American roots, her work focuses on social issues related to identity, youth culture, migration, and the relationships we forge with our closest environments.

I hold a Master of Science in Journalism from Columbia University and teach photojournalism at Sciences Po’s Journalism School in Paris, France and VII Agency worldwide.

I am a member of Women Photograph and Diversify Photo.

Selected Clients;

National Geographic
The New York Times
The New Yorker
The Washington Post

NPR
Patagonia
Bloomberg Businessweek
The Wall Street Journal